Sparrow’s Song

by Marilee Aufdenkamp

Universal Buy Link:  https://books2read.com/u/3GyLvO

Come with me, and step back into the world as it once was with an excerpt from Sparrow’s Song by Marilee Aufdenkamp. This is the story of a young woman who steps out of the noise and grime of factory life in 1917 and into a new world. She entered a fledgling nursing school, hoping only for a chance to breathe, yet soon found herself rising through its ranks.

With her new authority brings strain, and every lesson she teaches carried its own quiet weight. Her journey stretches from the first great war into the second, shaped by courage, longing, and the quiet battles fought behind hospital doors.

Blurb:

Shortly after Kathryn Scheibel leaves her cigar‑making job in 1917, she enters the Army School of Nursing, a pioneering WWI nurse‑training program that offers the education she’s longed for but couldn’t afford. More than two decades later, her career carries her, as an instructor, into the Cadet Nurse Corps, the federal WWII nursing‑education initiative created to support the war effort. There she sees the same pressures she once felt now directed at students with even fewer protections. When two Black students are treated unfairly, Kathryn must decide how to respond.

Sparrow’s Song is a sweeping, intimate novel about resilience and belonging, rooted in the real history of wartime federal nursing education and the evolving landscape of modern American nursing. At its heart is a young immigrant woman pushing herself toward the advantages she’s convinced education will unlock, even as that drive pulls her away from the people and heritage she loves.

An excerpt from Sparrow’s Song:

Getting ready for the yellow party was a source of anxiety and excitement. “A little shorter, please, Mutti. I don’t want Mrs. Abbott’s friends thinking I’m old-fashioned.” Kathryn stood in the living room on the wooden box that Mutter used to reach her sausage grinder and other seldom-used items stored on the highest shelf in the kitchen.

Kathryn’s mother lifted the hem, so it fell just at the point where Kathryn’s lower leg began its steepest taper toward her sturdy ankles. She worked quickly, circling Kathryn on her knees, straight pins held captive by her pursed lips. Großmutter, who scowled at length as the dress was being made, came over to inspect the sleeves and flatten the collar. Broad stripes in alternating shades of pale and bright white ran up and down the cotton voile overlay.

“Oh, Großmutter,” Kathryn said. “Your handiwork is the nicest there is. Some pale-yellow trimming, even the tiniest bit of tatting on the sleeves and collar, would make me feel like the grandest lady at Mrs. Abbott’s party.”

“Okay. I’ll do it,” Großmutter said, “but don’t get your head full of fancy ideas about being something other than what Gott intended. As much as you paid for this little bit of nothing, you could’ve had a nice swath of blue serge, enough to make three skirts and some left over. It’s pert near like you’ve lost your head since you got over there with that Abbott woman.”

While Kathryn’s mother finished pinning the hem, Großmutter brought out her tatting supplies. “No yellow,” she said, “but this should be nice against that sheer white.” She picked up a ball of ivory thread and began winding one of her wooden tatting shuttles.

Kathryn motioned for her mother to stop pinning. She jumped off the box and hurried to Großmutter. “That would be beautiful, Großmutter, but for this party the trim on my dress has to be yellow.”

“This Mrs. Abbott tells you what color you have to make your clothes to wear to a party?”

“It’s because it’s a yellow party. For suffrage.”

“What is this suffrage? I never heard of it.”

“It’s the right to vote. For women. Yellow represents the light. Mrs. Abbott says that when we wear yellow—only she says when we don yellow. The closest in our language, I think, means to put on. Mrs. Abbott says that when we don yellow for suffrage, we are like sunflowers turning our faces to the light. She said we’re going to decorate the whole house yellow for the party. She’s even going to pay Mutti to help with the decorating.”

Großmutter shook her head. “What kind of foolishness are you speaking about?  This is what happens when a woman has too much money so that she doesn’t have to spend any time taking care of her family. She starts talking nonsense.” Großmutter went back to her chair. She stared out the window and continued muttering under her breath. She spoke at length, shaking her head from time to time, but it was impossible to hear what she was saying. Kathryn’s jaw tightened. It seemed Großmutter liked nothing more than being in control and making people miserable. In Russia, she had been the head of the family. Here, Kathryn knew, she felt of little value. Her crossness was understandable, but lately it seemed she was more critical than usual, and at times Kathryn tried to avoid her.

Kathryn turned to her mother. “I brought the measurements for the porch. Mrs. Abbott said she called the dry goods store and told the proprietor you’d come by next week to get some fabric for the bunting and that he is to put it on her account. She’s leaving it to you to buy the pattern and choose the fabric. I told her you won’t need to buy a pattern at all. That you just have to look at the picture in the store and you’ll be able to come home and make your own pattern.”

“I guess you can buy me some yellow tatting thread while you’re at the dry goods,” Großmutter said. “Maybe that Mrs. Abbott should be buying the thread for the dress, too, if she’s taking it upon herself to decide what can be worn at one of her fancy doings.”

Trigger Warnings:

  • Two off‑page suicides
  • One short scene involving sexual harassment / coercion
  • One brief scene of non‑graphic violence
Marilee Aufdenkamp

Author Bio:

Marilee Aufdenkamp is a retired nurse educator who taught undergraduate nursing for twenty‑six years before turning her full‑time focus to historical fiction. She writes early to mid‑twentieth‑century stories grounded in immigrant experience and working‑class life.

Her debut novel, Sparrow’s Song, was inspired by her early nursing career in Nebraska, where she came to admire the Germans from Russia she cared for at the end of their lives.

Originally from Southern California, she has spent her adult life in Nebraska.

Author Links:

Website: https://marileeaufdenkamp.com

Facebook: https://www.facebook.com/MarileeAufdenkampWriting/

Instagram: https://www.instagram.com/marileeaufdenkampwriting/

Goodreads: https://www.goodreads.com/author/show/55952096.Marilee_Aufdenkamp

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Fraying Skeins by Nancy Jardine

Universal Buy Link: mybook.to/FSSSS

This title/series is available to read on Kindle Unlimited.

Margaret’s story continues in this third instalment of Nancy Jardine’s Victorian Scottish saga, carrying her north to Aberdeen and along the rugged coastline beyond. This third novel follows her search for honest work and the quiet determination that drives her to use her skills well, wherever the road takes her. It’s a new stage in her journey and a fresh adventure for us to share with Nancy’s readers.

Escape  In Paradise: Evasion

1870 Scotland

Fleeing from Peterhead, Margaret Law makes Aberdeen her refuge. Menial jobs keep her and her toddler son fed– till an unusual tutoring task boosts her finances, and self-worth. Letters to best friend Jessie contain the absolute truth, especially when Johnny Fraser re-enters her life. Is he the man for Margaret to grow old with? When better employment emerges in St. Andrews, Margaret is torn. Will the move mean losing Johnny?

When Johnny follows Margaret to St. Andrews, their life together is idyllic. But when menacing secrets unfold, will Johnny’s past indiscretions be their undoing? Will he lose the cherished family he is establishing with Margaret?

Praise for Fraying Skeins:

“Jardine has once again brought nineteenth-century Scotland vividly to life while keeping Margaret and the people around her firmly at the heart of the story. Watching the determined little girl I first met in Novice Threads grow into this resourceful and courageous woman has been immensely rewarding, and there are more than enough intriguing threads left to make me eager to continue Margaret’s journey in the next instalment.“

~ The Coffee Pot Book Club 5* Editorial Review

Nancy Jardine

Author Bio:

Nancy Jardine writes historical adventure fiction, historical saga, time travel historical adventure and contemporary mysteries. Research gobbles up lots of time but it’s a delight, and never a chore. Her garden wouldn’t win any prizes but tending it is a great way to unwind and gives her some lovely plants to post on Instagram!

When not creating her novels, or promoting her writing, she loves to interact with readers at Book and Craft Fairs where she signs/sells paperback versions of her novels. Recently she’s taken part in author panels at Book Festivals.

Memberships include: Historical Novel Society; Society of Authors; Scottish Association of Writers; Federation of Writers Scotland; Romantic Novelists’ Association; and Alliance of Independent Authors. She’s self-published with Ocelot Press.

Author Links:

Website: https://www.nancyjardine.com/

Twitter / X: https://x.com/nansjar

Facebook: https://www.facebook.com/NancyJardinewrites

Instagram: https://www.instagram.com/nansjar2023/

Bluesky: https://bsky.app/profile/nansjar23.bsky.social

Pinterest: https://uk.pinterest.com/nanjar/

Book Bub: https://www.bookbub.com/profile/nancy-jardine

Threads: https://www.threads.com/@nansjar2023

Amazon Author Page: https://www.amazon.com/stores/Nancy-Jardine/author/B005IDBIYG/

Goodreads: https://www.goodreads.com/author/show/5139590.Nancy_Jardine

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Renaissance Rivals by Karen Essex

Universal Buy Link: https://books2read.com/u/mdpO2E
For paperback orders: https://shop.karenessex.com

Available on Kindle Unlimited

I have an absolute treat for you today: an excerpt from the long‑awaited sequel to the global bestseller Leonardo’s Swans by screenwriter and award‑winning journalist Karen Essex.

The novel unfolds in Renaissance Italy, where Lucrezia Borgia and Isabella d’Este collide in a sumptuous story of intrigue, ambition, and buried secrets. It’s everything you could want from historical fiction—rich, dangerous, and irresistibly compelling.

About the novel:

Renaissance Rivals, the long-awaited sequel to the global bestseller Leonardo’s Swans, tells the story of the brutal rivalry between two of history’s most fascinating power women: Isabella d’Este, Marchesa of Mantua, celebrated in her own lifetime as “The First Lady of the World,” and Lucrezia Borgia, Duchess of Ferrara, daughter of the infamous Pope Alexander VI and one of the most maligned women in history.

Before Maggie O’Farrell’s doomed duchess in The Marriage Portrait, there were the women who built the courts, forged alliances, and commanded works of artistic genius. In both Renaissance Rivals and Leonardo’s Swans, Essex invites readers to step back one generation into the glittering courts of Renaissance Italy, where beauty, intellect, marriage, and ambition could determine the fate of nations.

The excerpt:

In the city of Rome, the Vatican, 1501

Lucrezia fell face up upon the gold brocade spread covering the bed, her spine sinking listlessly into the mattress while the room spun around her. Dust from the road still clung to her skirts, and her bodice reeked from days of travel. Her ladies tugged at her clothing, trying to free her from the fetid garments, but she waved them away.

She was weary. Weary from the jolting journey by horse, mule, and litter that had carried her home, but even more exhausted by the resistance her entire being had mounted against every mile traveled toward Rome.

Her arm failed her and dropped heavily onto the bed.

“Draw me a bath,” she murmured.

Once they had gone, she raised her hand and let it fall again upon the lavish coverlet, noticing that no dust rose from it. The extravagant decorations in her Vatican apartments were so new there had scarcely been time for dust to settle. She could still smell the dyes upon the rich velvets, tapestries, and brocades draped throughout the room and see the fresh-polished gleam of the newly crafted furnishings.

How beautiful it all was, this hastily assembled opulence, a whirl of deep colors and sumptuous textures arranged to please her and erase the memory of her final days within these very rooms, from which she had fled so suddenly only months before at the command of her father, His Holiness, Pope Alexander Borgia.

“I cannot tolerate your tears, Lucrezia,” he had said, never mind the reason for them. “Do you not trust us to know what is best for you?”

For the first time in her life, she had not immediately bent to his will, and he had sent her away to grieve behind the thick fortified walls of the fortress at Nepi in Lazio, north of Rome.

Even Cesare had neither stopped him nor wished to.

“You are not behaving like a Borgia,” Cesare had told her before turning his back as the litter carried her away.

The memory still stung now, despite that weeks later he had appeared at Nepi to reveal his plans and reassure her of his love.

Why had they not simply left her there?

Just as she had recovered her strength and begun to enjoy a life of solitude and reflection, the dreaded letter demanding her return had arrived. She had feared coming back to this Vatican chamber where she had suffered the greatest anguish of her life, but her father had anticipated this and assumed that fresh surroundings would erase the horrifying past.

Not a trace of the former décor remained. Everything had been swept away like yesterday’s gossip and remade into a setting for her future.

From her position upon the bed, she felt as though she were gazing upon a magnificent theatrical stage newly assembled for a grand production. Indeed, she suspected she was about to become a player in some new drama for which she had not yet been given her lines.

The spectacular painting of Venus, nude and reclining within a gilded frame upon an easel facing the bed, strongly suggested the nature of the role she was expected to perform. The goddess’s slightly parted pink lips seemed meant to lure the viewer into enchantment, yet to Lucrezia they appeared mocking.

Curled beneath knowing blue eyes, those lips looked on the verge of laughter. What did they know that she herself had yet to discover?

The pope had offered no explanation for summoning her back to Rome beyond claiming that he missed her and that it was time for her return. Perhaps he intended to travel and required her once again to oversee his secular affairs within the Vatican.

She had fulfilled those duties before, even before her twenty-first birthday, astonishing cardinals who wondered aloud what madness possessed the pope to leave a mere girl in charge while he traveled. When he announced that Lucrezia would govern in his stead and that her signature would carry his authority on legal documents, one of the more malicious old cardinals had risen and exclaimed: “But Your Holiness, she possesses no pen!”

The entire congregation had roared with laughter at the crude and overused euphemism for the male organ.

Regardless of gender, the cardinals remained perpetually enraged by the pope’s determination to elevate his children to greatness. Yet after months of performing administrative duties with the ease and grace of a seasoned magistrate, they had come to respect her, or at least those particular abilities.

The rest they neither respected nor ever would. And for that she could not entirely blame them, for she knew much of what she had done was sinful and shameful. Still, she took the sacraments daily and knew what must be done to repent.

She confessed directly to God, of course, for she could never tell the truth to her earthly confessors, who knew perfectly well who she was despite the chain metal and muslin curtain separating sinner from cleric within the confessional booths.

If she told the truth, she would be punished. Not directly. No, they punished her in subtler ways, by taking from her whatever she most cherished while showering her with luxuries and splendid things until she became too intoxicated by beauty to protest what had been done.

This last crime, however, had been different.

She had refused to be placated by silver and gold, by entertainments and distractions, by promises of a radiant future if only she obeyed. She had refused, and for that she had been banished. Then mysteriously she had been summoned back.

Before leaving Nepi, she had consulted the fortress astrologer in hopes of discovering why she was being recalled. The old seer had charted the movement of the stars and declared, Jupiter will soon shine favorably upon you, bestowing honors beyond your dreams within mere months of your return.

How much had Father paid for such a prophecy? she wondered.

Triggers: Child loss; miscarriages.

Karen Essex

Author Bio:

Karen Essex is the national and international bestselling author of RUN, DARLING, KLEOPATRA, PHARAOH, LEONARDO’S SWANS, STEALING ATHENA, DRACULA IN LOVE, AND BETTIE PAGE: LIFE OF A PINUP LEGEND. All feature iconic women—powerful women who seduced the world and ruled it.

Essex is also an active screenwriter and speaker, and an award-winning journalist. She divides her time between Los Angeles, New Orleans, and Europe. Her novels are published in twenty-nine languages.

Leonardo’s Swans, the prequel to Renaissance Rivals, was a runaway bestseller in Italy and won the prestigious Premio Roma for Foreign Fiction.

Author Links:

Website: https://www.karenessex.com
Twitter / X: https://x.com/KarenEssex
Facebook: https://www.facebook.com/KarenEssexAuthor/
Instagram: https://www.instagram.com/karenessex/
Pinterest: https://www.pinterest.com/karenessex/
Book Bub: https://www.bookbub.com/profile/karen-essex
TikTok: https://www.tiktok.com/@karenessexwrites
Amazon Author Page: https://amzn.to/44OrSh5
Goodreads: https://www.goodreads.com/author/show/22528.Karen_Essex
Follow Karen’s Substack newsletter, History. Sex. Power: https://substack.com/@karenessex

Tour Schedule Page: https://thecoffeepotbookclub.blogspot.com/2026/07/blog-tour-renaissance-rivals-by-karen-essex.html

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VIA MALORUM by G.G. MacLeod

Universal Buy Link: https://books2read.com/u/bMkq6a

In the shadows of Rome power bleeds red.

In the shadowed streets of ancient Rome, 37 CE, power is a blade that cuts both ways. Agrippina, a towering enigma of ambition, slips from Caligula’s gilded cage with her newborn son, Domitius, her mind a labyrinth of cold calculation. At her side prowls Messalina, a siren in scarlet, her seductive cunning as deadly as her blade. Together, they navigate a city teeming with decadence and deceit, pursued by whispers of treachery and the emperor’s wrath.

Their journey leads to the Temple of Fortuna where the enigmatic Prophet Cassandra unveils a cryptic fate – one that demands sacrifice and promises blood. As alleys echo with violence and forbidden passions ignite, Agrippina’s quest for dominion collides with Messalina’s ruthless desires. In a night where every step drips with danger, who will rise and who will fall?

VIA MALORUM is a visceral plunge into the heart of Roman darkness, blending historical intrigue with the chilling allure of giallo. Prepare for a tale where power bleeds red, and trust is a luxury none can afford.

Triggers: Some rough lesbian sex, moderate violence.

G.G. MacLeod

Author Bio:

The author is a 59-year-old Canadian male based in Calgary. The author has always had a tendency of combining genres like horror and action along with drama, psychological thrillers, giallo, and sometimes even comedy.

It really depends on how the author feels from moment to moment as they write because the author likes to entertain themselves first and then hope that a smattering of other people out there in the world will like it as well.

Author Links:

Twitter / X: https://x.com/GGMacLeod1

Instagram: https://www.instagram.com/ggmacleod1/

TikTok: https://www.tiktok.com/@ggmacleod1

Amazon Author Page: https://www.amazon.com/stores/G.-G.-MacLeod/author/B098Z2Z35R

Goodreads: https://www.goodreads.com/author/show/22624912.G_G_MacLeod

Tour Schedule Page: https://thecoffeepotbookclub.blogspot.com/2026/07/blog-tour-via-malorum-by-gg-macleod.html

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The Spirit of the Times by Justin Newland

I would like to welcome my guest, Justin Newland, to my website. I’m delighted to be interviewing him about his novel. Before we begin, here is what the book is about:

From a land of milk,

And a Road of Silk,

To a ring of roses,

And a dance of posies,

Comes the tale of the spirit of the times!

In fourteenth-century Central Asia, Karia is a young woman living under the yoke of Mongol occupation. But she’s different. She’s a fighter with supernatural powers. She could use them to keep the Black Plague at bay and solve the mystery of the purple skies at dawn – if only she could overcome her self-doubt. 

Travelling in caravans on the Silk Road, she faces dangers seen and unseen – from sandstorms and slave traders to the desert djinn and folk who believe she’s a witch. She fears losing Abi, her little cousin, who’s fascinated by roses and the dance of the Whirling Dervishes of Bukhara.

When Karia falls in love with an English sailor fleeing the Knights Hospitaller, they sail to England with Abi to unravel the meaning of the purple skies, a dance, a posy tree, and a ring of roses.

The Spirit of the Times is part history, part fiction and part speculation: on the origin of disease; the power of innocence; the unfortunate aspects of custom and dogma; and humanity’s ability to respond to the governing influence or spirit of the times.

During your research for The Spirit of the Times, did you come across anything that surprised you?’

Yes, many things. As I’m sure you know yourself, history is a table of plenty that’s packed with surprises.

Here’s one of them, a story about how karma works its way through the events of history – karma to mean the rebalancing of what is out of balance.

When they invaded the lands of Asia and Europe in the 13th century, the Mongol Empire had a strategy. A nomadic people, they prized gold, silver, precious jewels, silk and any other material plunder they would take back to their capital at Karakorum in Central Mongolia.

However, when they pushed into Europe, and defeated the Hungarian army at the Battle of Mohi in 1241, they found an impoverished people, with little carry-away riches to steal. As compensation, they enslaved the rump of the Hungarian army and sold them to the Venetians, who were one of the major slave traders of the time.

The Venetians then sold the Hungarian soldiers to the Sultan of Egypt. Then, in 1260 the Sultan’s army fought and beat the Mongols at the Battle of Ain Jalut. This victory permanently halted the Mongol advance into the Islamic world.

So, the same soldiers that the Mongols had enslaved returned to defeat their enslavers, yielding a surprising example of karma in history.

The Spirit of the Times takes readers across the Silk Road. What first sparked your interest in this period and place?

My novels have focused on periods of history when ‘after’ is substantially different to ‘before’, such as the Ming Dynasty in China, the Tudor Age in England, and the Great Enlightenment in Europe.

The 14th century was one such transitional time, when the great Chinese Empire had, through its own internal weakness, split into two and when Europe was dominated by famine and war, plague and social change.

As a novelist, I wanted to explore the mechanisms for this transition in the 14th Century, by asking and trying to answer questions like: How did it happen? Why did it happen? Was it meant to happen in the way that it did? Were there other possibilities at the time and, if so, what were they, and why weren’t they taken?

The Silk Road played a huge role in this transition. For their time, the Mongols were remarkably tolerant both religiously and socially, and they opened up the Silk Road to trade and most importantly, to ideas. It was travelled by camels and mules, as well as spies and emissaries, priests and Sufis, imams and monks. This was a road of silk, a road of ideas, of silken ideas that crossed from east to west, breathing the winds of change, some of which are still blowing today.

Your novels often weave history with the supernatural. This story touches on the mystery of the purple dawn skies and the coming of the Black Death. How did that idea find its way into the book?

I am always intrigued by coincidences in history and otherwise. Because a coincidence is really a combination of facts for which the connections have yet to be revealed. It’s a bit like fairy tales, myths, folk tales and nursery rhymes. Never accept them at face value. They are all intended to conceal a deeper truth. Somehow, we must peer through the glass darkly, and perceive and uncover the greater mystery.

One coincidence I discovered was that the Black Plague arrived in Melcombe Regis, near Weymouth, around 24th June 1348. Only two months before, on 23rd April, King Edward III instituted England’s ancient and most prestigious chivalric order. That was no coincidence. The English royal family, like most of the English population, knew that the plague was rampaging through France and that it was only a matter of time before it broached England’s shores. The King knew it was coming. So, why institute the Order of the Garter when he did?  

That’s the joy of a historical fiction writer, because you can speculate on what those connections are.

It was the same with the purple skies at dawn. I read in a history book that the onset of the plague in the 14th century was preceded – or presaged – by this uncanny phenomenon, that features on the cover of the novel. So, what did that mean? Why purple? Why at dawn? Was there a connection between the plague and the purple skies at dawn. And if so, what was it?

Justin Newland

Author Bio:

Justin Newland’s novels represent an innovative blend of genres, from historical adventure to supernatural thriller and magical realism.

Undeterred by the award of a doctorate in mathematics from Imperial College, London, he conceived his debut novel, The Genes of Isis (Matador, 2018), an epic fantasy set under Ancient Egyptian skies. Next came The Old Dragon’s Head (Matador, 2018), set in Ming Dynasty China in the shadows of the Great Wall.

The Coronation (Matador, 2019) features the Great Enlightenment and speculates on the genesis of the most important event in the modern world – the Industrial Revolution. The Abdication (Matador, 2021) is a mystery thriller in which a young woman confronts her faith in a higher purpose and what it means to abdicate that faith.

At this point in his writing career, after four self-published books, Justin was offered a part-funded contract with the Book Guild.

The Mark of the Salamander (Book Guild, 2023) is the first in a two-book ‘The Island of Angels’ series. It tells the epic tale of England’s coming of age during the Elizabethan era. The second in the series, The Midnight of Eights (Book Guild, 2024), charts the uncanny coincidences of time and tide that culminated in the repulse of the Spanish Armada.

His latest novel, The Spirit of the Times (Matador, 2026), is to be published in July. It tells the story of a young Kyrgyz woman’s journey westwards along the Silk Road. With purple skies at dawn, and a supporting cast of Genghis Khan, the Black Plague, a perplexing rhyme, a ring of roses, it explores the greatest mystery of all – the spirit of the times.

Justin’s enduring passion is to explore the origins of our current time. This prompted a broad research into what we’ve inherited from history – encompassing Egypt, China, Prussia and Tudor England. He also writes entertaining talks which he gives to the WI, U3A, Probus, Rotary and local historical associations. Please visit his website for a current list of the talks.

Alongside the talks, Justin promotes his work with regular book signings at TG Jones (ex. WH Smith) high street stores, selling over 3,500 books since 2019. He has sponsored over 40 UK and US blog tours, given frequent radio interviews and penned many guest posts.

His current book signing motto is: Enjoy, Imagine, Discover.

As a member of the Society of Authors, he has Public and Products Liability Insurance.

Born in Essex, England, three days before the end of 1953, he lives with his lady in plain sight of the Mendip Hills in Somerset, England.

Triggers: The story touches on the thorny and controversial subject of slavery. I felt it needed to be included, mainly because I wanted the story to be authentic, and slavery was a common feature in the 14th Century.

Buy Links:

Universal Paperback Buy Link: https://mybook.to/thespiritofthetimes

Author’s Website: The Spirit of the Times – PREORDER, RELEASE JULY 2026 £9.99 – Justin Newland – Author of secret history thrillers

Publisher website: https://troubador.co.uk/bookshop/historical/the-spirit-of-the-times

Waterstones: The Spirit of the Times by Justin Newland | Waterstones

TG Jones: The Spirit of the Times: Justin Newland: 9781806344154: TGJones

Coles Books: The Spirit of the Times by Justin Newland 9781806344154 Coles Books

Shakespeare & Company: https://www.shakespeareandcompany.com/books/the-spirit-of-the-times

iMusic: https://imusic.co/books/9781806344154/justin-newland-2026-the-spirit-of-the-times-paperback-book  

Author Links:

Website: https://www.justinnewland.com/

Facebook: https://www.facebook.com/justin.newland.author/

Instagram: https://www.instagram.com/drjustinnewland/

Amazon Author Page: https://www.amazon.com/author/justinnewland

Goodreads: https://www.goodreads.com/jnewland

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Queen of Shadows by Anna Belfrage

Universal Buy Link: https://myBook.to/QofS

This title is available to read on Kindle Unlimited.

I would like to thank Anna Belfrage, Timelight Press, and the Coffee Pot Book Club for providing me with early access to Queen of Shadows for review. I received this novel for free, but my review is entirely honest

Blurb:

She should have stayed in the shadows—but Leonor de Guzmán yearned for the sun

Castile in the 1330s is a place of constant turmoil. King Alfonso must contend with the incursions from the Muslim Marinids eager to reclaim Al-Andalus while struggling with repeated rebellions against his firm rule.

When Alfonso needs respite, he finds it in the arms of his Leonor—the most beautiful woman in the realm. But while he may love Leonor over all others, his lawful wife, Maria of Portugal, is tired of being constantly displaced by the fair Leonor.

Leonor loves her man. She gives him healthy sons, a place to be himself. But she is only a mistress, even if Alfonso treats her like a queen. Leonor’s enemies watch and hate.

Flying too close to the sun comes at a high price. How much will Leonor’s love cost her?

Based on the true story of Alfonso XI and his complicated relationships to wife and life-long mistress.

My Review:

Leonor de Guzmán is a woman that history has attempted to sideline. Thanks to the author Anna Belfrage, the mistress of King Alfonso XI and fourteenth-century Castile become very much alive in this rich and exceptional novel.

Leonor is not the king’s passing favourite, but the love of his life and the woman he treated as his true partner. She bore him ten children, many of them sons, and held a place in his life that looked very much like queenship.

The difficulty was that Alfonso already had a wife. Maria of Portugal was the lawful queen, the political match, the woman with the crown, but she did not hold the king’s heart.

Alma, a young woman of mixed Castilian and Moorish heritage who serves Leonor, becomes the thread that reveals the deeper tensions of the kingdom. Through her, we see the uneasy coexistence of cultures and faiths, the contradictions people carry, and the quiet strength required simply to endure.

The author is equally skilled at evoking place. She gives us the stark northern plateau and the shimmering southern landscapes, the grandeur of palaces and the small, intimate details of daily life. Food, herbs, travel, the textures of work, and ritual all feel close enough to touch.

This is a story about power and love, about the cost of loyalty, about joy that sits beside fear. It is not a soft or romantic past. At times, it can be difficult to read, but it is an extremely rewarding one. These were people with familiar longings and sorrows, yet shaped by a world whose values can feel utterly foreign to us. The pacing, the tension and the vivid descriptions make this a rich and compelling read. I became utterly engrossed. This is a five-star review.

Anna Belfrage

Author Bio:

Had Anna been allowed to choose, she’d have become a time-traveller. As this was impossible, she became a financial professional with three absorbing interests: history, romance and writing. Anna has authored the acclaimed time travelling series The Graham Saga, set in 17th century Scotland and Maryland, as well as two equally acclaimed medieval series; The King’s Greatest Enemy which is set in 14th century England, and The Castilian Saga ,which is set against the medieval conquest of Wales. She has also published a time travel romance, The Whirlpools of Time, and its sequel Times of Turmoil, and is now considering just how to wiggle out of setting the next book in that series in Peter the Great’s Russia, as her characters are demanding. . .

All of Anna’s books have been awarded the IndieBRAG Medallion, she has several Historical Novel Society Editor’s Choices, and one of her books won the HNS Indie Award in 2015. She is also the proud recipient of various Reader’s Favorite medals as well as having won various Gold, Silver and Bronze Coffee Pot Book Club awards.

“A master storyteller” “This is what all historical fiction should be like. Superb.”

Find out more about Anna, her books and enjoy her eclectic historical blog on her website, www.annabelfrage.com where you will also find her post about Alfonso and Leonor:

Author Links:

Website: www.annabelfrage.com
X: https://twitter.com/abelfrageauthor
Facebook: https://www.facebook.com/annabelfrageauthor
Instagram: https://instagram.com/annabelfrageauthor
Bluesky: https://bsky.app/profile/abelfrageauthor.bsky.social
Book Bub: https://www.bookbub.com/profile/anna-belfrage
Amazon Author Page: http://Author.to/ABG      
Goodreads: https://www.goodreads.com/author/show/6449528.Anna_Belfrage

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Fables & Lies: A World War II Novel Based on a True Story by Elisabeth Storrs

* Goodreads Giveaway *

https://www.goodreads.com/giveaway/show/442105-fables-lies-a-wwii-novel-based-on-a-true-story

Universal Buy Link: https://books2read.com/fablesandlies

Blurb:

Under a brutal regime, what price must be paid to preserve truth, treasure and love in a world built on lies?

WWII Berlin. Freyja Bremer, a patriotic museum assistant, marries Kaspar Voigt, an ambitious SS scholar, to protect her father. Yet she is unaware her husband is instrumental in Himmler’s twisted quest for Aryan supremacy.

As she strives to safeguard the priceless Priam’s Treasure from air raids, Freyja falls in love with Darien Lessing, an archaeologist who exposes the moral decay beneath the Regime’s myths. Her awakening drives her into perilous resistance — aiding a Jewish doctor and his wife, Darien’s sister — while uncovering Kaspar’s role in the SS’s darkest programs, which subvert history to justify invasion, abduction and murder.

As Berlin collapses into chaos and bloodshed, Freyja, caught between duty, deception and desire, must risk everything to preserve truth in a world built on lies.

A heartbreaking yet triumphant love story, Fables & Lies shines light on lesser-known aspects of the Nazi Regime. It gives voice to the complex moral struggles of German women, the forgotten resistance of Gentiles married to Jews, the dangers of contested history, the evils of Himmler’s racial studies program and the unsung bravery of German museum curators who saved their nation’s treasures.

Perfect for readers of Kelly Rimmer, Anthony Doer and Laura Morelli. 

Praise for Fables & Lies:

“A heartrending story of a young woman caught in the machinations of the Third Reich and in the web of a regime-compliant family. The novel is meticulously researched and emotionally resonant, sure to delight readers who love a hearty feast of history in their fiction.”~ Olivia Hawker, bestselling author of The Ragged Edge of Night

“A powerful and heartbreaking story set in war-torn Berlin, FABLES & LIES charts the slow dawning horror of a young woman as she realises all she has been taught about Hitler and the Third Reich is a lie. Impeccably researched and sensitively rendered, Elisabeth Storrs has shone a light on little-known aspects of life in Germany under the Nazi regime.”

~ Kate Forsyth, bestselling author of Bitter Greens

“Written from the little explored German viewpoint, FABLES & LIES is a gripping account of the quest to save the world’s great antiquities during WW2 and an ode to those women and men who risked all for freedom. A beautifully written novel. I’ve never read anything like it.”

~ Nicole Alexander, author of The Limestone Road

“Elisabeth Storrs has indeed broken the mould by writing ‘from the other side’. Evocative, detailed and heart-rending as the heroine journeys through disillusion and danger in the Third Reich.”

~ Alison Morton, author ofthe Roma Nova series

“A chilling and meticulously researched journey into the shadow world of the Ahnenerbe. Blending historical rigor with gripping fiction, FABLES & LIES reminds us of the devastating consequences when history is twisted to serve power.”

~ Leah Kaminsky, author of The Hollow Bones


Elisabeth Storrs

Author Bio:

Elisabeth Storrs has a great love for history and myths. She is the award-winning author of A Tale of Ancient Rome trilogy which was endorsed by Ursula Le Guin, Kate Quinn and Ben Kane.

Now her obsession lies with Trojan treasure and twisted Germanic prehistory in her new release, Fables & Lies: A World War II Novel.

Elisabeth is also the founder of the Historical Novel Society Australasia and the $155,000 ARA Historical Novel Prize. She lives in Sydney with her husband in a house surrounded by jacarandas.

Triggers: The book contains offensive Nazi ideology together with graphic war imagery (including rape), stillbirth and bereavement. Audiobook Narrator: Lucy Tregear.

Author Links:

Website: https://www.elisabethstorrs.com

Twitter / X: https://x.com/elisabethstorrs

Instagram Handle: https://www.instagram.com/elisabethstorrsauthor/

Facebook https://www.facebook.com/elisabeth.storrs/

Pinterest: https://www.pinterest.com/elisabethstorrs/

Book Bub: https://www.bookbub.com/authors/elisabeth-storrs

TikTok: https://www.tiktok.com/@elisabethstorrs?lang=en-GB

Amazon Author Page: https://www.amazon.com/stores/Elisabeth-Storrs/author/B005NVUWZ4

Goodreads: https://www.goodreads.com/author/show/4489059.Elisabeth_Storrs

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The Enemy’s Wife – An Interview with Deborah Swift

Universal Buy Link: mybook.to/EnemysWife

I’m pleased to host Deborah Swift today for a discussion about her new novel, The Enemy’s Wife.

Welcome Deborah, tell me what first drew you to this particular historical moment and the real events that underpin the story?

In my previous book, Jewish refugees who arrived from Eastern Europe, ended up in Japan. But what happened to them then?  The research told me that they were moved again after the events of Pearl Harbor, to Shanghai. The more I read about wartime Shanghai, the more interesting it got – it was such a melting pot of cultures and loyalties.

I remembered wartime Shanghai from the film, Empire of the Sun, and decided to set the book in the International Settlement which featured in the film. This was the Western city within a city, an island dominated by the British and American businessmen and ruled by an Anglo-American council. Shanghai was known as the ‘Pearl of the Orient’ for its wealth, its bustling port, its Hollywood-esque film industry, and luxurious lifestyle. South of the settlement was the French Concession, where many wealthy ‘Shanghailanders’ lived in palatial houses waited on hand and foot by the much poorer Chinese population. In the book, one of my characters, Theo, lives here.

Surrounding the settlement was the Chinese nation controlled by the Chinese central government in Nanking, but there were many anti-government rebels too, and a lot of corruption. I wanted to tell the story of what happened when China and the settlement was invaded by the Japanese. Zofia married her Japanese husband before the war, and suddenly finds she has become the wife of the enemy.

Your books involve complex cultural and political settings. How do you approach research to ensure authenticity without overwhelming the narrative?

The story is king, and all the research I do is to support the story. It is never just ‘background.’  For example, I needed a hub where poor people and rebels against the government in Shanghai might meet and exchange news, so I initially thought of a doctor’s waiting room. However, doctors had been culled by the communist regime, so it had to be a pharmacy. This led me to research and write scenes set in a Chinese traditional pharmacy – something I would never have thought of doing without the research. But the scenes were driven by the plot needing some place people could meet to exchange views on politics and the changing regime. I researched what that might be, and ended up with a pharmacy, which was in fact much more interesting as a setting. 

For broader political background, I read widely around the subject, and hope that the reading gives me ‘authority’ in the voice, even if all the facts I’ve discovered don’t end up on the page.

War and displacement put enormous pressure on relationships. What interests you most about writing characters whose loyalties are tested by circumstance?

I suppose it is that they could be us. I am of a culture and a generation that has not had to deal with war, and yet by writing the books I am constantly asking ‘in that situation, what would I do?’ Perhaps I am practising for the event – I hope not. 

People who have different ideologies can think they have nothing in common until those ideologies are tested – and the reverse. You can think someone is not like you at all, until you stand in their shoes. Or you can think you are ‘on the same page’ until they do something you would never conceive of doing. Stress affects everyone in different ways, and if war is one thing, it is stress. These situations bring about enormous amounts of tension and that’s exactly what you need to keep a novel rolling along, and to keep the reader interested.

What was the best money you ever spent as a writer?

There are several things I can’t do without. First up – my bookstand! This allows me to prop open my research books on my desk as I’m typing. It really is one of the most useful things for a historical novelist, and costs peanuts. Second, the index tab stickers that you use to mark pages in books. Again, cost is negligeable, but I use them all the time to mark bits of research I need to keep. Third – a week away with writer friends. This is definitely the most expensive – but invaluable for keeping up with what’s happening in other parts of the publishing world, sharing experiences good and bad, and getting moral support from other writers who understand. Before going back to your lonely desk!

Looking ahead, what do you feel your next project might be?

I’m working on a sequel in which my two main characters, Theo and Zofia, think they are safe and happy in America. But even within a safe society, tensions can arise – particularly if you have come through Russia and China, during the Red Scare.

Praise and blurb:

‘A fast-paced, beautifully written, and moving story. Refreshing to read a book set in a different theatre of war. Wartime Shanghai jumped off the page’ CLARE FLYNN

 A poignant story of the impossible choices we make in the shadow of war, for fans of Daisy Wood and Marius Gabriel.

 1941. When Zofia’s beloved husband Haru is conscripted into the Imperial Japanese Army, she is left to navigate Japanese-occupied Shanghai alone.

 Far from home and surrounded by a country at war, Zofia finds unexpected comfort in a bond with Hilly, a spirited young refugee escaping Nazi-occupied Austria.

 As violence tightens its grip on the city, they seek shelter with Theo, Zofia’s American employer. But with every passing day, the horrors of war and Haru’s absence begin to reshape Zofia’s world – and her heart.

 Can she still love someone who has become the enemy?

Readers love The Enemy’s Wife:

‘A gorgeous novel that will truly pull at your heartstrings‘ CARLY SCHABOWSKI

 ‘I loved The Enemy’s Wife – a gripping, fast-paced and evocative story about the Japanese occupation of Shanghai during WW2 – and really rooted for the brave and selfless central character, Zofia. Highly recommended’ ANN BENNETT

 ‘Such an emotional and moving read, grounded in immaculate research that never overshadows the heart of the story’ SUZANNE FORTIN

Deborah Swift

Author Bio:

Deborah used to be a costume designer for the BBC, before becoming a writer. Now she lives in an old English school house in a village full of 17th Century houses, near the glorious Lake District. Deborah has an award-winning historical fiction blog at her website www.deborahswift.com.

 Deborah loves to write about how extraordinary events in history have transformed the lives of ordinary people, and how the events of the past can live on in her books and still resonate today.

 Her WW2 novel Past Encounters was a BookViral Award winner, and The Poison Keeper was a winner of the Wishing Shelf Book of the Decade.

Author Links:

 Website: www.deborahswift.com

Amazon Author Page: http://author.to/DeborahSwift

Twitter / X: https://twitter.com/swiftstory

Facebook: https://www.facebook.com/authordeborahswift/

Pinterest: https://www.pinterest.co.uk/deborahswift1/

Bookbub: https://www.bookbub.com/authors/deborah-swift

TikTok: http://www.tiktok.com/@deborahswiftauthor

Trigger warnings: Murder and violence in keeping with the era.

Buy Links:

 Universal Buy Link: mybook.to/EnemysWife

 Amazon UK:  https://www.amazon.co.uk/Enemys-Wife-brand-new-historical-Survivors-ebook/dp/B0FB6HV6R6

 Amazon US: https://www.amazon.com/Enemys-Wife-brand-new-historical-Survivors-ebook/dp/B0FB6HV6R6

 Amazon CA: https://www.amazon.ca/Enemys-Wife-brand-new-historical-Survivors-ebook/dp/B0FB6HV6R6

 Amazon AU:  https://www.amazon.com.au/Enemys-Wife-brand-new-historical-Survivors-ebook/dp/B0FB6HV6R6

 Kobo: https://www.kobo.com/ww/en/ebook/the-enemy-s-wife

 Audio: https://www.audible.co.uk/pd/The-Enemys-Wife-Book-2-Audiobook/B0FWS1TN94

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An Interview with Heidi Gallacher: A Theory In Vienna

Universal Buy Link: https://books2read.com/u/47aKa7

It’s my great pleasure to welcome Heidi Gallacher to my website to answer questions about her novel, A Theory in Vennia:

Tell us about your novel:

 The novel tells the story of Ignaz Semmelweis, a 19th-century doctor whose simple, lifesaving discovery was ignored in his own lifetime. My interest was piqued when I came across him during my research for a previous historical novel.

 So, set against the emergence of modern medicine, A Theory in Vienna follows a man who proves something undeniable, yet who lacks the language, authority and cultural awareness needed to be believed. At its heart, the book isn’t just about medical history; it’s about what happens when the truth arrives too early. It explores obsession, resistance, and the quiet loneliness of being right in a world that isn’t ready to listen. Semmelweis’s story is tragic, but it’s also urgently human – a reminder that progress often depends as much on humility and courage as it does on evidence.

 Was there a part of Semmelweis’s struggle that resonated with you on a personal level? Did that connection change the way you wrote about him?

 Yes – what resonated most with me was the experience of not being heard, even when the evidence is clear. It’s probably happened to each one of us, at some time of our lives. Semmelweis’s struggle isn’t only about science; it’s about communication, timing, and the pain of watching something urgent fail to land. That connection shaped the way I wrote about him. I became less interested in presenting him as a flawless hero and more focused on his inner world – his frustration, his rigidity, and the ways his certainty both sustained and damaged him.

Semmelweis is often portrayed as a tragic figure. How did you approach writing a man whose brilliance and frustration shaped both his legacy and his downfall?

 I tried to resist the temptation to turn Semmelweis into either a martyr or a warning. His tragedy lies in the fact that his brilliance and his frustration were inseparable; the same intensity that allowed him to see what others missed also made it difficult for him to persuade them. He isn’t undone by ignorance alone, but by the way repeated resistance hardens him and isolates him. His discovery endures, but the human price he paid gives the story its emotional weight.

 Semmelweis fought for a truth no one wanted to hear. Have you ever had a moment in life where you’ve had to hold your ground in the face of doubt or resistance?

 Yes – though on a far smaller scale. What I recognised in Semmelweis was the quiet determination it takes to stay with an idea when external validation doesn’t arrive. There were moments while writing this book when I had to trust the story despite uncertainty and resist the urge to soften it to make it more palatable.

Three centuries passed from the first epidemic of childbed fever until the early 1900s. More lives were lost across the world from this fever than lives were lost in all of the wars during that time.

 If you could sit with Semmelweis for five minutes, as a woman and a writer, what would you want to ask him or tell him?

 I would want to tell him that the women he fought for are no longer invisible – that their tragic lives are now understood as the true measure of his work. As a writer, I’d ask whether he ever sensed the cost of being right, and whether he would still have chosen that path knowing where it led.

 What do you hope modern readers will take away from A Theory in Vienna, especially in a world that still debates science, evidence and public health?

 I hope readers come away with a renewed sense of attentiveness – to small actions, to overlooked voices, and to the quiet ways care can save lives. Semmelweis’s insistence on something as simple as handwashing reminds us that progress often arrives through everyday acts of responsibility and compassion. More than anything, I hope the book leaves readers feeling that change is possible – and that listening, humility, and care still matter.    

Blurb: Imagine you’d discovered something. Something that could save hundreds of thousands of lives. But they wouldn’t let you tell anyone. Wouldn’t it drive you mad?

 Young Hungarian doctor Ignaz Semmelweis uncovers the real reason thousands of young women are dying after childbirth. Yet, in mid-19th-century Europe, his simple methods are ridiculed. Semmelweis faces the battle of his life to convince others that the cause is simple…

Based on the true story of a forgotten hero, A Theory in Vienna brings the remarkable story of this man to life.

‘I bring to light a truth, which was unknown for many centuries with direful results for the human race.’ – Ignaz Philipp Semmelweis.

Heidi Gallacher 

Author Bio:

Heidi was born in London in the Sixties. She grew up in South Wales, UK and moved to Paris as a young adult where she taught English for two years. She currently lives in Switzerland and recently completed an MA in Creative Writing.

 Her first short story was published in Prima magazine (UK) in 2018. Heidi now writes historical fiction. Her first novel, Rebecca’s Choice is set in Tredelerch – an old house in Wales that belonged to her family generations ago. This novel won an award from The Coffee Pot Book Club in 2020, Debut Novel Bronze Medal.

 Her second novel, A Theory in Vienna, is set in 19th century Vienna and Budapest. It tells the incredible story of unsung hero Ignaz Semmelweis, whose life-saving discovery was ridiculed at the time.

 Heidi enjoys travelling (the further North the better!), singing and writing songs, and spending time reading and writing at her Swiss chalet where the views are amazing.  

 Author Links:

 Author Page on Publisher’s Website: https://bookguild.co.uk/our-authors/heidi-gallacher

Twitter / X: https://x.com/heidigallacher

Facebook:  https://www.facebook.com/Deejotix

Instagram:  https://www.instagram.com/gallacherauthor

Threads: https://www.threads.com/@gallacherauthor

Pinterest: https://pin.it/6KRlgRXOb

Amazon Author Page: https://www.amazon.co.uk/stores/Heidi-Gallacher/author/B08192R91P

Goodreads:  https://www.goodreads.com/user/show/86827681

Buy Links:

Universal Buy Link: https://books2read.com/u/47aKa7

The Book Guild Buy Link: https://bookguild.co.uk/bookshop/historical/a-theory-in-vienna  

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Guest Post with Author Wendy Johnson 

Universal Buy Link: https://books2read.com/u/mdJqL5

I am excited to welcome Wendy Johnson to my blog to answer questions about her novel, ‘The Traitor’s Son.’

Tell us about your latest book: 

‘The Traitor’s Son’ is my debut novel, and the first in a proposed trilogy reimagining the life of Richard III. This first instalment covers Richard’s ten formative years between 1461 and 1471 and tells of how a grieving, fatherless boy grows into a courageous warrior of eighteen. It is a story of inner conflict, of love, loyalty, sacrifice, and treachery within the House of York. It culminates in a heart-wrenching dilemma, when Richard finds himself forced to choose between Edward, his blood brother and king, and Richard Neville, earl of Warwick, the man he has come to look upon as a second father. 

What is your preferred writing routine? 

I try to write every day, on average for around two hours. My habit is to continually edit my work as I go, so that only when I’m happy with what I’ve written do I carry on with the next scene. This can make for slow progress, but in my experience, it makes the final edit much easier, because most of the hard work has already been done. I enjoy listening to music as I write: sometimes I’ll find authentic medieval music on YouTube, as this helps to set the scene, but mostly I listen to the Wolf Hall soundtrack by composer Debbie Wiseman. Of course, Wolf Hall is set at a later date, but the music is very stirring, and I find it helps galvanise my writing. I’ve recently discovered the soundtrack for The Lord of the Rings, too, and find that really emotive. 

What advice do you have for new writers? 

Two things in particular really helped me improve as a writer. The first was advancing my knowledge of how to write — the Writers and Artists Guide to How to Write by Harry Bingham was invaluable. It helped me hone the craft, teaching me such a lot and opening my eyes as to what was required of an aspiring author. The second thing was to constantly read the novels of award winning authors and try to learn from them. Both of these things helped me no end, and if new writers are serious about their work, I would recommend trying something similar. I think the third piece of advice I would give would be to never give up — it’s a hard road, but if you really want to write and are determined to succeed, then you will. Have faith in your work and just keep going! 

Tell us something unexpected you discovered during your research.

As someone who has been fascinated by the Wars of the Roses for most of my life, I was already very familiar with the history, so I wouldn’t say I was too surprised by anything thrown up by my research. However, while I was writing this first volume, concentrating on the childhood and youth of Richard III, something did occur to me which I decided to incorporate as the major theme of the novel. Richard’s father, the Duke of York, was slain in battle when Richard was only eight years old. 

We know from the contemporary record, and from the evidence of his later life, that Richard greatly venerated his father’s memory, and it’s clear he’d felt very close to him. It has often been suggested that this void in young Richard’s life was filled by his elder brother, Edward (later Edward IV), but this has never rung true to me. 

At the time of their father’s demise Edward himself was only eighteen years of age, and although Richard must have admired his brothe r’s military prowess and may even have considered him in heroic terms, I believe the ideal candidate for the role of father figure would have been his thirty – seven – year old cousin, Richard Neville, earl of Warwick. Edward assigned to Warwick the tutelage of his young brother, and Richard underwent his knightly training in the earl’s household. Warwick must undoubtedly have been an influence on the youth, and between the ages of twelve and sixteen, Richard must have surely sought the paternal guidance of his cousin, as well as the affection of a father figure. 

The more I thought about this, the more I felt I had to introduce the theme to the novel as I had begun to wonder how Richard must have felt when Warwick rebelled against the king. Should he pledge his allegiance to Edward, his blood brother as well as his king, or did he support Warwick, a man who had become a second father to him? Of course, we know from history that he supported his king, but was that an easy choice to make?

 In ‘The Traitor’s Son’, Ric hard sees both options as a betrayal, and this heart-wrenching dilemma forms the main thrust of the novel. 

What was the hardest scene you remember writing? 

By far, the hardest scene to write was that which described the battle of Barnet. For most of the other scenes in the book, I felt I had at least some point of reference, but a battle was something I found extremely difficult to imagine. The historical events were easy to research, but the emotions involved are something the vast majority of people will never have to face. At times, it almost felt as though I couldn’t bring myself to write it, but I knew I had to, as this forms the climax of the novel. I got there in the end, and I’m pleased with the scene, but I didn’t relish having to picture it in my mind’s eye. 

What are you planning to write next?

‘The Traitor’s Son’ is the first in a proposed trilogy, and I’m currently working on the sequel. The second volume will take Richard up to the age of thirty and will cover the events of 1471 through to the early weeks of 1483. The story will be a rollercoaster ride for my protagonist and will once again focus on the trials and tribulations of the three York brothers – what I like to call the ‘fraternal triangle.’ 

As with ‘The Traitor’s Son’, I want historical fact to be the backbone of the novel, and so, as well as having to place myself as far as is conceivably possible in Richard’s shoes, I also need to ensure the storyline is as accurate as it can be and that the characters ring true to their real-life counterparts. The trilogy will end with a final book covering Richard’s all too brief reign, and there is a possibility that sometime in the future, I may choose to write about his brother, George, Duke of Clarence, a man equally maligned and caricatured by history, but that will be some time in the future.

Wendy Johnson

Author Bio:

Wendy Johnson has a lifelong passion for medieval history, its people, and for bringing their

incredible stories to life. Her specific areas of interest are the fifteenth century, the Wars of the Roses, and Richard III in particular. She enjoys narratives which immerse the reader in the past and tries faithfully to recreate the later Middle Ages within her own writing. She has contributed to a number of historical anthologies and was a runner-up in the Woman and Home Short Story Competition 2008.

Praise for The Traitor’s Son:

“I loved this novel, it was beautifully written, extremely atmospheric, the characters’

personalities came through perfectly, can’t wait for the next instalment.” ~ Linda Hayward, 5* Amazon Review.

“Exquisitely written. An evocative and thoughtful retelling of the early life of Richard III.” ~ Philippa Langley, MBE.

“Sometimes the perfect use of the written word takes my breath away. Not very often, but this book is it. A wonderful story written so beautifully that I shall not forget it for a long time. Everything to my mind is perfect. The language, the story, the pacing. Just wonderful.”~ Kindle Customer, 5* Amazon Review.

“Wonderfully woven story of a young Richard III. Woven with a sure knowledge of the

history and a realistic telling of a story about a young boy finding his way through tragedy

and triumph, uncertainty and a legacy he cannot escape.Brilliant debut which promises more and

more.” ~ Cris, 5* Amazon Review

“I loved this novel, it was beautifully written, extremely atmospheric, the characters’

personalities came through perfectly, can’t wait for the next instalment.” ~ Linda Hayward, 5* Amazon Review.

“Really enjoyed this book. Holds the reader enthralled from the first paragraph to the last.

The next volume can’t be released soon enough.” ~  J.M. Henderson, 5* Amazon Review

Perfect for fans of Hilary Mantel, Annie Garth Waite and Sharon K. Penman.

Universal Buy Link: https://books2read.com/u/mdJqL5

This title is available to read on #KindleUnlimited: https://www.amazon.co.uk/stores/Wendy-Johnson/author/B0D14SQJP3?ref=sr_ntt_srch_lnk_3&qid=1763580327&sr=1-3&isDramIntegrated=true&shoppingPort